Course for Mixing in Logic Pro X 1.0

Do you want to know absolutely everything about mixing in Logic Pro X? Well, you’ve landed on the perfect course! This mixing masterclass by sflogicninja David Earl is, by far, the best Logic mixing course ever created. Check it out!
Logic is a mixing powerhouse. Anything you can do in Pro Tools or any other “pro” DAW, you can do in Logic "Pro" and perhaps even better! In fact, Logic has more mixing magic built into its DNA than any other DAW on the planet and David Earl is here to prove it!

This very deep course explores every aspect of creating the perfect mix in Logic Pro X. You learn the process, the signal flow, the tools, EQs, filters, vocal tips, reverb theory, drum replacement, compression, automation and so many other useful tips there just isn’t enough room to write about all of it on this page!

What makes this course even cooler is that David takes you fader-by-fader through the creative and technical process of constructing a Logic-style mix explaining every creative and technical choice he makes all along the way. There isn’t a mixing course on the planet that even comes close!

So learn everything there is to learn about mixing in Apple’s Logic Pro X from maestro David Earl. We guarantee that your mixes will benefit from the experience!

Table of Contents:

1. Introducing Mixing in Logic Pro
2. Exploring the Mixer
3. Importing Audio from Another Daw
4. Getting Imported Audio Aligned
5. Getting a Project Organized
6. Setting up Groups
7. Getting the Mix Started
8. Panning the Mix
9. Dynamics and the Kick
10. Dynamics and the Snare
11. Dynamics and the Toms
12. Dynamics and the Overhead Mics
13. Exploring the VCA Compressor Type
14. the FET Compressor Type
15. the Opto Compressor
16. Linear vs. Channel EQ on a Kick
17. Creating Harmonics with the Exciter
18. Taking the Ring out of a Snare
19. EQ on Keyboards
20. Experimenting with Overhead Alignment
21. Compressing Overhead and Room Mics
22. Getting Creative with the Room Mic
23. Adding the Lead Vocal Into the Mix
24. Solving Problems with EQ and Gate
25. Using Compression and EQ on a Vocal
26. Exploring Spaces with PlatinumVerb
27. Using Convolution Reverb
28. Applying Reverb to a Snare Drum
29. Adding Delay Effects to the Chorus Vocal
30. Working with a Vocal in the Chorus of a Song
31. Using Strip Silence to Eliminate Noise
32. Replacing Drums
33. Realtime Automation in Logic
34. A Look at Offline Automation
35. Automating Multiple Parameters
36. Automating a Bus Send
37. Automating Bus Plugin Parameters
38. Using Groups with Automation
39. Helpful Shortcuts for Automation
40. Exploring Region-based Automation
41. Using Flex Pitch to Adjust Timing
42. Prepping Drums for Flex Time
43. How to Use Phase-Locked Editing
44. Applying Flex Time to the Drums
45. Pre vs. Post Fader Metering
46. A Quick Peek at Binaural Panning
47. A Basic Explanation of Surround Mixing
48. Conclusion